TV: It's just another way to tell a story, right?

Oh my goodness. How many times in my life have I heard someone tell young people (or me!) to "turn off the TV and open a book?" Or, you know, something similar?

How many times have you heard that television rots your brain? And then wanted to charge at the person making this claim like a velociraptor at a cocky paleontologist?

Oh, don't get me wrong. I love books. I mean, well, duh, I write books! I have a house full of books! Books are sort of my life. But you know what else I love?

TV.

I love TV on DVD. I love that I can use my DVR to record shows that are on at the same time. I love that there are funny shows and serious shows and documentary shows and sci fi shows. I love that there are all these stories that I can watch.

So why does TV get a bad rap? Why do so many of us think of it as a "low" art form, or as a hobby for the feeble-minded? Like, okay, The Jersey Shore exists. I'll admit it. But so does The X Files. So does House. So does Scrubs.

And, yeah, books might be easy to pin as a high art, because you have to read them. But, come on, not to lay the smack down on anyone, but I'm going to go out on a limb and say that GOSSIP GIRL isn't particularly literary. (And I'm putting this out there because I'm like 99.9% sure that creator Cecily von Ziegesar would agree with me. I hope.) Does this fact stop jillions of readers from being entertained by the books? No.

Books are a form of entertainment, too. Sure, sometimes books are going to be what I like to call "meat and potatoes" books. SPEAK by Laurie Halse Anderson, John Green's LOOKING FOR ALASKA -- you know, award-winny types. Entertaining and also enriching. Then there are what I like to call "candy bar books" -- the books we read for funsies and sometimes consider guilty pleasures. Books without many SAT words but with superfluous kissing scenes or maybe epic gun fights. Do these books change your world? Probably not. And that's cool.

So what makes books better than TV? What makes them sacred? Like, okay, there are lots of reasons that books are different, ways that without seeing the pictures on your screen you might have to use your imagination more while you're reading. But have you ever watched an episode of your favorite show and felt just so inspired? Just wowed? The same way you feel after you finish a good book?

TV and books are different ways to tell a story. But when it comes down to it, a story is a story. Why can't we love both, treat them equally, and call it a day? Why do we think certain things can go on TV but "don't belong" in books? Why are books on a pedestal, guys? I want to know.

Happy National Coming Out Day!

In the wake of some recent tragedies, maybe it seems weird that I'm posting about having the courage to come out. Especially because, as a straight woman, I've never had to deal with the pressure that GLBTQ youth must feel when it comes to this topic. But you know what I can say? I applaud each and every person who has come out. And I want to provide as much support as one little blogger can to anyone who is thinking about coming out today. It's a big deal. I know that.

So in honor of this awesome initiative, I thought I'd tell you about some of my favorite gay characters in fiction.

Of course there's Tiny Cooper from WILL GRAYSON, WILL GRAYSON by John Green and David Levithan. Tiny is unabashedly himself. I've read a few things lately about how a lot of gay characters in coming-of-age stories don't seem to think about anything but think about being gay and how rough it is to be gay and how being gay affects their lives. What I love about Tiny is that being gay is just a part of who he is, and he's such a huge character who lives his life up to eleven. I think we can all take a page from Tiny's book, even if we're not up to writing and producing musicals about ourselves.

I also adore Ash from Malinda Lo's ASH, and part of that of course is her strength and courage as the Cinderella character in Malinda's retelling of the classic fairytale. But part of why she's one of my favorite gay characters is the fact that in Malinda Lo's universe, being gay isn't weird or different or alternative. It just is. So when Ash falls for The Huntress, yeah, we know she's gay. She knows she's in love with a woman, and not a man, which perhaps isn't the most common love in her world, but it isn't all scandalous and frowned upon. I'm totally looking forward to reading the sequel to ASH, HUNTRESS, which comes out next spring.

This may seem odd, but April Lurie's murder victim, Will, speaks volumes despite his being dead for most of April's book THE LESS-DEAD. Will is part of a string of hate-crimes, which protagonist Noah decides he must solve. Noah feels somewhat responsible for Will's death, since he freaked out when Will came out to him, and they never got to reconcile. Noah's dad is the evangelical radio personality "The Bible Answer Guy," and Noah is convinced that the killer is one of his dad's regular listeners. Will was a street kid, someone Noah meets by accident but befriends out of genuine love for the guy. And I think that this is an important representation of how non-protagonist characters don't have to be 2-D -- something that plagues secondary gay characters in a lot of fiction. If April Lurie can make Will speak so loudly without even being alive during most of the book, we all can give our gay characters their own voices. (PS, Truth: April is one of my favorite people writing YA. Hi April, you rock!)

So these characters -- and stories -- pretty much run the gamut. Which is sort of like how people are, right? So maybe if you're seeking some inspiration to come out today, pick up one of these books -- or one of the many books out there featuring fab queer characters (some great resources are Pinkbooks and The Rainbow Project) -- and remember, there are people out there who support you and are ready to hear what you have to say!